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Andrew Kevin Walker

Andrew Kevin Walker

2 Films

Andrew Kevin Walker

2 Included Films

Andrew Kevin Walker photo

Andrew Kevin Walker (born August 14, 1964) is an American screenwriter, producer and script doctor. He is known for having written Seven (1995), for which he earned a nomination for the BAFTA Award for Best Original Screenplay, as well as several other films, including 8mm (1999), Sleepy Hollow (1999) and many uncredited script rewrites.

Se7en poster
UHD Blu-ray
Best English-Friendly:

2025 WB 4K

Best Video:

2025 WB 4K Blu-ray (better detail and everything)

caveat: A variety of small VFX set pieces and touch-ups were added in scenes throughout the film, probably for continuity or consistency, although they might be unnecessary or revisionist.

AI is used to fix an unwanted camera movement in one scene

Best Audio:

Cinema DTS has missing dialog intact

Se7en poster
UHD Blu-ray
English-Friendly:

2025 WB 4K

Video:

2025 WB 4K Blu-ray (better detail and everything)

caveat: A variety of small VFX set pieces and touch-ups were added in scenes throughout the film, probably for continuity or consistency, although they might be unnecessary or revisionist.

AI is used to fix an unwanted camera movement in one scene

Audio:

Cinema DTS has missing dialog intact

Panic Room poster
UHD Blu-ray
Best English-Friendly:

Sony 4K Blu-ray

Best Video:

Sony 4K Blu-ray. HDR caps by fkid. Obviously this is a huge improvement after what was available until now. Still, the early 2000s nature of the film is palpable and more noticeable, f.ex. in the opening scene that looks upscaled but seemingly without AI usage or any egregious tools. No info yet about what Fincher actually changed and where he tinkered around. Also see samlop10's review

Panic Room poster
UHD Blu-ray
English-Friendly:

Sony 4K Blu-ray

Video:

Sony 4K Blu-ray. HDR caps by fkid. Obviously this is a huge improvement after what was available until now. Still, the early 2000s nature of the film is palpable and more noticeable, f.ex. in the opening scene that looks upscaled but seemingly without AI usage or any egregious tools. No info yet about what Fincher actually changed and where he tinkered around. Also see samlop10's review

2 films

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